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Archive

2018-№3(23)

FROM THE HISTORY OF THE WORLD MUSIC

I. P. Susidko The mysteries of “Orfeo ed Euridice” by Ch. W. Gluck

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

M. G. Kondratiev “The lonely wayfarer in unknown country”: Fedor Pavlov — folk music researcher

A. T. Gumerova On the history of the Orthodox singing of baptized Tatars in Menzelinsky District of Ufa province

E. M. Smirnova Formula tunes in Yelabuga Kryashen tradition

L. R. Gilyazova Wedding tunes as song tradition of Chistopol Kryashens

PROBLEMS OF MUSIC ANALYSIS

L. H. Hakobian Possible models of musical hermeneutics

ТRADITIONAL CULTURES

D. A. Bulatova The Turkic trace in the instrumental culture of the peoples of Eastern Europe (on the material of necked chordophones)

I. V. Macijewski The Turkic-Slavic aspect of interrelationships of traditional music, temporal and spatial arts (on the problems of comparative art history)

2018-№2(22)

FROM THE HISTORY OF THE WORLD MUSIC

Е. V. Ryzhkova Moralia by Jacob Handl as a reflection of humanistic trends in the music of the bohemian Renaissance

THE MUSIC THEORY

L. A. Fedotova Hermann Erpf and his idea of a new tonality

МUSICAL THEATRE

A. A. Sokolskaya, O. B. Makarova Plastic rhetoric as a way of combining three operas by Mozart / da Ponte in the trilogy

COMPOSER IN THE MODERN WORLD

V. E. Smotrov Social isolation and musical creativity

THE METHODOLOGY OF MODERN MUSICOLOGY

O. I. Kulapina The main directions of methodological teaching in music: to the establishment of a metascience concept

MUSIC AND MEDIA

T. S. Sergeeva Multimedia Experiments in Tan Dun’s Works as a New Synthesis of Arts

CONFERENCE MATERIALS

D. R. Zagidullina Some features of folk ensemble music making in orchestral technique of Tatar composers

Z. A. Akhundova-Dadashzadeh Searching for timbre in the works of contemporary Azerbaijani composers (on the question of using folk instruments)

2018-№1(21)

MUSIC THEORY AND HISTORY

Z. Z. Mityukova Gaetano Greco and the origins of partimento

N. I. Naumova Bachelor of Music and Doctor of Music in Universities of Oxford and Cambridge (17— 18th centuries)

P. I. Pimurzin, M. E. Girfanova Clavier Sonatas CollectionsWq 52 and Wq 55 by Carl Philipp Emanuel Bach: Lifetime Editions in the Kazan Conservatory Library

V. O. Petrov Harrison Birtwistle’s instrumental theater

L. V. Brazhnik Anhemitonic intonation as one of the systemic properties of the melody in the vocal works of S. Slonimsky

Yu. S. Bocharov Suite in the Baroque Era: on the history of the genre name

I. V. Viskova What instruments were used in the 19th century to perform horn parts in Brahms symphonies?

MUSICAL CULTURE IN THE RUSSIAN REGIONS

L. I. Bushuyeva А. Kasyanov: Six Songs of the Chuvash People

N. G. Agdeyeva The epic of the Nogai Tatars of the Astrakhan region: a performance aspect

2017-№4(20)

MUSIC THEORY AND HISTORY

R. L. Pospelova Revolutions and reforms in the history of notation: from the Middle Ages to our times

V. R. Dulat-Aleev The grand Russian opera in 1830 — 1860s in the context of patriotic theme and “European style”

A. L. Maklygin On the strange harpsichord interest of the “advocate of Russian originality” Stepan Vasilyevich Smolensky

TRADITIONAL MUSICAL CULTURE: HISTORY AND MODERNITY

M. G. Kondratiev The Mirror of History

E. K. Karelina Musical art of the Southern Siberia`s Turks in conditions of modern culture

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

O. M. Gerasimov Modern forms of the existence of musical folklore of the Mari

M. G. Kondratiev Traditional musical culture in the Volga region and the Urals: theory and practice

D. A. Bulatova Individualization of the performing style in traditional culture (based on the material of Tatar folk violin music)

I. M. Nurieva Besermyan wedding: unexpected discoveries

MUSIC AND SOCIETY

A. L. Maklygin Music in the scientific vectors of revolutionary change

R. L. Pospelova Semantic connotations in music and modeling of life’s meanings

Summary

2017-№3(19)

MUSIC THEORY AND HISTORY

O. V. Zhestkova Baguette in French opera conducting in the 18th and 19th centuries

Ch. Stembridge 17th century German Preludes? (The Discovery of an Unexpected Source of an Intonatio by Andrea Gabrieli)

D. E. Lokotyanova Verbal text and genre in Anton Bruckner’s church choirs

Y. S. Semyenova Some peculiarities of overtures in musical theatrical performances based on the librettos by Catherine II

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

M. G. Kondratiev Works by Gennady Vorobyov for violin and piano (on the history of the violin art of Chuvashia)

P. W. Kuivinen Accordion in the tatar traditional culture: (on the question of origin)

N. G. Agdeyeva What does saz sing about? On the genre sazda seileshu (“talking on the saz”) of the astrakhan tatars

ISSUES OF MUSIC EDUCATION

I. A. Presnyakova Caution: anti-manual! (or What the “Blues School” doesn’t teach you)

Summary

2017-№2(18)

MUSIC THEORY AND HISTORY

L. D. Pylayeva Poetic rhythms as a factor of expressiveness in the French sarabands of the 17th and early 18th centuries

G. Sanguinetti The Stabat Cadence

T. F. Prodma Johann Sebastian Bach’s organ toccata (with fugue) d-moll BWV 565: On the question of its choral origin and spiritual meaning

O. V. Dadiomova The musical world of Belarus in the 17th and the first half of the 18th centuries through the prism of intercultural relations

MUSICAL CULTURE OF RUSSIAN REGIONS

I. V. Svetlichnaya The contribution of Vladimir Dobrovolsky and Nikolai Ber to the study and preservation of Smolensk song traditions

NATIONALCULTURES IN RRETROSPECTIVE

G. M. Makarov Musical instrumental culture of Tatars in the late Middle Ages

PROBLEMS OF MUSICAL-PERFORMING ARTS

S. M. Shabaltina The impact of historical performance on contemporary pianists

POPULAR MUSICAL CULTURE

E. O. Sushko Genre features in contemporary musicals (based on Belarus TV broadcasting in 2000s)

Summary

2017-№1(17)

MUSIC THEORY AND HISTORY

O. B. Makarova, A. A. Sokolskaya Rite as foundation of dramatic art in Claus Guth’s production of Mozart’s “Don Giovanni”

M. V. Melyukova Difficulties in performing chamber vocal works by Anton Webern

MUSICAL CULTURE OF RUSSIAN’S REGIONS

O. A. Ivanova The system of folk calendar values in Astrakhan Lipovans

CINEMA MUSIC: THEORY AND PRACTICE

M. V. Karasyova Off-screen sound paradoxes: specifics of audiovisual counterpoints in Tarantino’s films

Ju. V. Mikheyeva Music as an element of film theatralization

REVIEWS

E. N. Khadeyeva The focus is on the cinema conference

Summary

2016-№4(16)

CHURCH-SINGING CULTURE: HISTORY AND MODERNITY

A. T. Gumerova On modification of verbal chants in Kryashen Orthodox Hymns

P. А. Pavlova Church composer and choir director, Archimandrite Theophan (Alexandrov): sketch of the biography

MUSIC THEORY AND HISTORY

A. N. Hasanova Rhythmic structure of vocal and instrumental works by F. Yarullin

MUSICAL CULTURE OF RUSSIAN’S REGIONS

О. А. Ivanova Wedding ceremony of the Astrakhan Lipovans

ETHNICAL MUSICAL CULTURES

A. E. Turumbetova On the Kazakh kuishi artistic contacts with musical art of the North Caspian region peoples

ANNIVERSARIES

L. P. Chernikovа Oleg Lundstrem’s Orchestra: Pages of History

Summary

2016-№3(15)

MUSIC THEORY AND HISTORY

O. Petrov Historical themes in the operas by John Adams

PROBLEMS OF MUSICAL- PERFORMING ARTS

V. А. Vorobyova Sound space of modern inventions for piano

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

А. В. Sofiyskaya Influence of Ottoman-Turkish literature on the traditional music and poetry of the Tatar Muslims

A. I. Makarova Alyona Arzamasskaya by N. Kosheleva — the first Mordovian ballet

T. V. Polkovnikova Chuvash music in the new stage of development (1970 — 1990ies)

Summary

2016-№2(14)

MUSIC THEORY AND HISTORY

M.E. Girfanova “Roman de Fauvel”, Paris, Bibliothèque nationale, français, 146. Part one. The authors and composition of the manuscript

PROBLEMS OF MUSICAL- PERFORMING ARTS

Qu Wa Traditional musical instruments in contemporary Chinese composers’ piano interpretation

POPULAR MUSICAL CULTURE

V.N. Syrov Modern jazz as a style phenomenon

ISSUES IN MUSIC EDUCATION

L. Braun Music education in Germany: current trends and cultural traditions

REVIEWS

O.V. Marchenko The being discovered by music

Summary

2016-№1(13)

MUSIC THEORY AND HISTORY

I. D. Gorokhova On the front page content in original publications of Clavierübung by J. S. Bach

E. N. Khadeyeva On one constructive principle by I. Stravinsky

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

G. M. Makarov Music of the Old-Tatar written poetry as part of elite Middle Age culture of the Volga-Kama region Church-singing culture: history and modernity

S. S. Gerasimovich Church choral singing in Belarus in the late 19th — early 20th century (based on printed sources)

Y. S. Karpov Churh-singing practice in the system of spiritual education

REVIEWS

T. A. Almazova Not just about music. Review of the book Portraits of prominent Tatarstan artists (in the light of spirit and science) by Sh. Kh. Monasypov

Summary

2015-№4(12)

MUSIC THEORY AND HISTORY

T. V. Tsaregradskaya Okegem and music of the 20th century

V. O. Petrov Luciano berio’s instrumental theatre (dedicated to the composer’s 90th anniversary)

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Burundukovskaya Fitzwilliam Virginal Book as a compendium of keyboard music in Elizabethan Englan

S. A. Kostogryz Genre and stylistic priorities of balalaika performance in Ukraine in the last third of the 20th century

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

E. Y. Novosyolova Schiller’s image of Joan of Arc on the 19th century opera stage

REVIEWS

T. I. Naumenko Ethnic dimension of music science: on conference “music as ethnic dimension of arts”

Summary

2015-№3(11)

MUSIC THEORY AND HISTORY

Z. Z. Mityukova, A. L. Maklygin Partimento: an improvisational educational practice of the 18th century

I. I. Giniatullina Theme and Variations (On the question of national identity features in N. А. Rimsky-Korsakov’s style)

M. L. Kosmovskaya Instrumental music playing as specific etnographic area of existence: from N. F. Findeizen to our times

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

I. Braun Pezzo concertato in Tchaikovsky’s operas

E. Y. Novosyolova Voice of Joan of Arc: on the problem of musical imagology

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova Modern jazzman’s must-have: “The Jazz Theory Book” by M. Levine

Summary

2015-№2(10)

DEDICATED TO THE 70th ANNIVERSARY OF THE KAZAN STATE CONSERVATORY NAMED AFTER N. ZHIGANOV

A. L. Maklygin Zhiganov as research subject

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

L. I. Sarvarova Calendar ritual chants of the Mishar Tatars: on specificity of intonational tradition D. A. Bulatova Tatar violin tradition in the context of bow-instruments culture of the Middle Volga

MUSIC THEORY AND HISTORY

Cui Xian (translation and commentary of Peng Chen) Introduction to Chinese traditional music theory

PROBLEMS OF MUSICAL- PERFORMING ARTS

M. A. Begovatova Artistic meaning and acoustic properties of extended techniques in playing the saxophone

ISSUES IN MUSIC EDUCATION

I. A. Lystsova On ballet accompaniment at the Perm choreographic school

REVIEWS and INTERVIEWS

R. D. Gimadiyeva Kazan Piano School: Personalities and Names

D. Jonas German view on music education

Summary

2015-№1(9)

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

I. M. Nurieva Udmurt song tradition in inter-civilizational space

MUSIC THEORY AND HISTORY

M. Е. Girfanova, N. I. Naumova John Taverner and his service in Cardinal College at Oxford University

E. Y. Shigayeva Meyerbeer’s opera “Northern Star” (“L’etoile du Nord”): Peter the Great or just Peter?

G. G. Kolomiets Philosophic essence of Sofia Gubaidulina’s works in the context of intercultural dialogue

POPULAR MUSICAL CULTURE

A. M. Nagornova Latino and bossa nova. Some terminological aspects of the popular music

Y. S. Dyachenko Richard Galliano’s “New musette” and bayan (accordion) art of the late 20th and early 21st century

REVIEWS

L. K. Karelina Bright event in the world of Turkology

L. V. Brazhnik “With harmony in life”

2014-№4(8)

MUSIC THEORY AND HISTORY

А. К. Safuanova, M. E. Girfanova Carl Friedrich Fasch — the founder of the Berlin Singing Academy (Sing-Akademie zu Berlin)

V. O. Petrov Chamber instrumental performance: the problem of dramaturgic layers relation

MUSICAL CULTURE IN THE RUSSIAN REGIONS AND ABROAD

E. K. Karelina Tuvinian’s Music tradition in space of the modern culture

E. G. Skovikova Sacred music outside of the church living in the City of Simbirsk at the turn of the 20th century

O. Р. Yurchenko Cimbalom in Ukraine: history and modernity

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova On some problems of teaching jazz harmony

REVIEWS

E. M. Tsaryova Necessary Publication: Review on the book by L. Royzman Literary Legacy

Т. А. Starostina Conference in memory of S. V. Smolensky. Choral Art at the Present Time

2014-№3(7)

MUSIC THEORY AND HISTORY

M. E. Girfanova Johannes de Muris on time signature in mensural music ars nova

T. F. Prodma Immersion in the Meaning. J. S. Bach’s Organ Toccata (and Fugue) in C-dur BWV 564

O. V. Usova Leitmotif as structural semantic category of the musical text (on example of symphonic music)

MUSICAL CULTURE OF RUSSIA’S REGIONS

E. U. Omakayeva, B. K. Borlykovа On the history of collection and publication of Kalmyks’ song and dance folklore (based on archival materials of folklore expeditions by H. J. Ramstedt, D. Rudnev and A. V. Burdukov)

N. A. Barkova, E. K. Karelina Imaginative world of the piano cycle by O. Kurgek Olchei’s First New Year: an attempt of reviewing children’s music in the works of Tuvan composers

E. G. Skovikova Liturgical singing in churches of the City of Simbirsk (late 19th — early 20th century)

E. V. Anisimova Y. Tolkach. Symphony in memory of J. Sibelius: in search of general symbol of unity of the Finno-Ugric peoples

ANNIVERSARIES

D. R. Zagidullina Features of orchestral notation in Farid Yarullin’s works (on example of the 1st movement of Symphony a-moll)

A. A. Kasianova Sonorism in Shamil Sharifullin’s works

REVIEWS

L. I. Sarvarova, L. A. Fedotova Finno-Ugric music forum

Y. S. Karpov Conference in memory of S. V. Smolensky

V. I. Yakovlev All Russian conferences in the City of Kazan on current issues of musical performing art: formulating approaches for their solution

2014-№2(6)

MUSIC THEORY AND HISTORY

L. V. Brazhnik Absence of melodic semitones in N. Ya. Myaskovssky symphonies as factor of continuity in the Russian classical tradition

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Mikhaylov Purports and forms of A. Scriabin’s Eight Sonata

S. L. Fedoseyeva The art principles of M. V. Yudina

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. I. Gaziev From the bait performance history

A. N. Khasanova About the individualization of folklore rhythmic forms in the music of Tatar composers of the first half of the ХХth century

Y. Y. Tsykina Resolution of the Central Committee of the CPSU(b) of 1948 “On the opera ‘The Great Friendship’ by V. Muradeli” and the Mari musical culture

E. S. Alimova Crimean-Tatar and Russian-Ukrainian roots of M. Khalitova’s vocal lyricism

REVIEWS

E. V. Porfiryveva The musicological offering to the anniversary of the outstanding Master

2014-№1(5)

MUSIC THEORY AND HISTORY

A. V. Kudryavtsev The syllabic in musical and poetic traditions of the Russian city in the 18th century

Е. М. Smirnova On the criteria of musical foot separation in quantitative folk tunes

MUSICAL CULTURE OF RUSSIA’S REGIONS

T. V. Babochkina Choral compositions by M. A. Yudin on Russian folk texts

G. M. Makarov Gata Iskhaki and Ismagil Ilyalov as coryphaei of mandolin art in Tatar culture

V. I. Yakovlev Kazan Ethnographic School: Scope and Results of Interdisciplinary Studies

2013-№2(4)

MUSIC THEORY AND HISTORY

O. V. Zhestkova A skillful man Egene Scrib

P. A. Pavlova Old Believers’ and “Nikonian” plainchants today: Unity or Opposition?

MUSICAL CULTURE OF RUSSIA’S REGIONS

P. W. Kuivinen The role of left hand garmun accompaniment in Tatar folk garmun tradition: consonant accompaniment — a remnant of traditional monophony

L. I. Bushueva Alexander Vasil’ev’s cantata «Uyav» as a phenomenon of Chuvash choral culture

2013-№1(3)

MUSIC THEORY AND HISTORY

M. N. Tchebourkina The systhem of organ dispositions of François dom Bedos de Celles (1766–1770–1778)

P. Laki The Symphony of Death or the Death of the Symphony? Observations on Mahler’s Symphony No. 9

PROBLEMS OF MUSICAL-PERFORMING ARTS

D. S. Rabotkina Tchaikovsky’s Grand Sonata Op. 37

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. G. Kondratiev The manuscript is of great interest”: Timofei Paramonov's Musical Legacy

A. N. Khasanova Rhythmic Intonations of «recitative verse» tunes in S. Saidashev’s vocal and instrumental works

REVIEWS and INTERVIEWS

V. V. Asarova Rosanoff on interpretation of Early music (To the 80th Anniversary of professor I. V. Rosanoff)

J. V. Selyfonova Frazier J. Maurice Duruflé: the man and his musiс. Rochester, 2007

M. V. Vladimirova, L. A. Fedotova Griffits P. A Concise Hustory of Avant-garde Music: from Debussy to Bulez. New York and Toronto, Oxford University Press, 1978

G. Trier Beethoven’s Visual Articulation (From Visual Articulation ofReading to Truthful Reading of the Original Flow of Music)

H. Dinova «Unknown» Tchaikovsky? (An interview with Yuri Leonovich)

E. G. Treskin Maestro (To the 100th Anniversary of N. K. Dautov)

2012-№2(2)

MUSIC THEORY AND HISTORY

L. A. Fedotova Musical analysis as a genre of musicology – is it relevant today?

R.L. Pospelova, M.V. Bogdanova "Harmonic documents" on variable systems. To the study Y.N. Kholopov’s archive (To the 80th Anniversary Y.N. Kholopov)

O.V. Zhestkova Fra Diavolo and villains in the 19th century operas

PROBLEMS OF MUSICAL-PERFORMING ARTS

V. G. Lukyanov Tonal semantics of Mussorgsky (Practical view of a choirmaster)

MUSICAL CULTURE OF RUSSIA’S REGIONS

E .K. Karelina Composer’s performance: to the question of typology and problems of study

R. D. Gimadieva A. Leman - piano class teacher at the Kazan Music College

2012-№1(1)

MUSIC THEORY AND HISTORY

GIRFANOVA M.E. Some notes on the historical formation of accentual musical rhythm: parallels between W.C. Printz’s theory of quantitas temporalis intrinseca and the musical practice of the 17th century

ZHESTKOVA O.V., BARANOV A.G. J. Haydn’s masses and the ‘Cecilian Movement’ in the 19th century

BRAZHNIK L.V. Anhemitonic melody in Rimsky-Korsakov’s operas

RAKHMANOVA M.P. S.V. Smolensky: the study of materials Athos expedition

MUSICAL CULTURE OF RUSSIA’S REGIONS

SAIFULLINA G.R. “Beware listening to saz!..” Gabashi—theologian on permissibility of music in Islam

SMIRNOVA E.M. Arud meters in Tatar chants көйләп уку: to the question of study

JAKOVLEV V.I. The bells of the Volga-Urals in multicultural context

CONTEMPORARY COMPOSERS

SURMINOVA O. V. Onomaphony in the genre of “A brief history of music”