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Archive

2021-3(35)

MUSIC  THEORY  AND  HISTORY

R. L. Pospelova, N. S. Storchak, D. A. Malkova Where is Marchetto, and where is Tinctoris? On the problem of the canonical and heuristic in the Medieval-Renaissance modal theory (based on the treatises by Marchetto of Padua and Johannes Tinctoris)

Y. S. Karpov, M. E. Girfanova, E. V. Burundukovskaya King Arthur, the Russian Army and the German Meistersingers: from the history of the Zelter Liedertafel

O. Y. Katalikova Interpretation of the piano in Stravinsky’s ballet Petrushka. First and second editions: similarities and differences

A. G. Korobova Minimalism in the context of musical postmodernism: techniques vs aesthetics?

MUSICAL  CULTURE  OF RUSSIA’S  REGIONS

L. I. Bushuyeva Chuvash folklore in the works of Lolita Chekushkina

M. V. Shatrashanova  On the first “dodecaphone initiatives” of Kazan composers

CHURCH-SINGING  CULTURE:  HISTORY  AND  MODERNITY

Y. V. Bulavintseva Church Music Tradition: Renewal vs Canon

2021-2(34)

MUSIC THEORY AND HISTORY

V. R. Dulat-Aleyev  A. B. Marx’s classification of musical forms in Russia: history, theory, pedagogical practice

P. I. Pimurzin Bach traditions in teaching Felix Mendelssohn as a composer

Y. E. Serov Boris Tishchenko’s orchestral suites, created on the basis of music for theatrical productions

MUSICAL CULTURE OF RUSSIA’S REGIONS

E. K. Karelina, D. O. Soyan  Intonation-figurative dramaturgy of the symphonic poem Romantic by Vladimir Toka

ISSUES OF ETHNOMUSICOLOGY

N. S. Mikhailova  Jouhikko in Karelian musical culture: the history of collecting and the characteristics of the tradition

E. M. Smirnova Kama Region Kryashen song culture: Tyulyachinsky district of the Republic of Tatarstan

 

2021-1(33)

MUSIC HISTORY

K. S. Kemova Early four-hand piano sonatas by W.A. Mozart

A. S. Krivtsova The problem of the ‘national’ in the USA Opera Theatre of the first half of the 20th-century

A. A. Illarionova Landscape in choral miniature by P. G. Chesnokov: the figurative structure and ways of artistic implementation

MUSICAL CULTURE OF RUSSIA’S REGIONS

G. N. Akbarova Spiritual themes in Leonid Lyubovsky’s instrumental works

T. S. Sergeyeva  V. M. Vasiliev and his contribution to the development of opera art

MUSIC ARCHIVE

T. V. Kharitonova Creative work of M. A. Yudin (based on the archive materials from St.-Petersburg and Kazan)

ANNIVERSARIES

E. L. Khakimova Creative life of the Kazan Conservatory: facts from experience On the 75th anniversary of the Kazan Conservatory

IN MEMORIUM

K. H. Monasypov Remembering a friend… In memory of A. A. Asadullin

2020-№4(32)

MUSIC THEORY AND HISTORY

N. P. Savkina S. S. Prokofiev. Several pages about the theater

A. N. Khasanova, A. O. Orekhova On some features of the interpretation of Mari folk songs intonations in the music of Andrei Eshpai

A. V. Klepova Musique concrète by Yannis Xenakis 

ETHNICAL MUSICAL CULTURES

D. R. Zagidullina Do Hong Kuan’s opera Red leaves in the aspect of interaction of cultures

A. T. Gumerova On pre-revolutionary Church-singing translations for Udmurts

ISSUES  OF  ETHNOMUSICOLOGY

M. V. Bochkareva, E. M. Smirnova Song tradition of the Zakamye Region Udmurts (based on the results of field expeditions 2017–2018)

L.V. Petukhova Preservation and transmission of the local singing tradition on the example of Y. T. Eryomkina’s creative work

ISSUES IN MUSIC EDUCATION

Y. A. Guretskaya The initial stage of Reinhold Glière’s work on special theory class programs at the Kiev Conservatory: based on archival materials (1913–1915)

2020-№3(31)

MUSIC HISTORY

E. V. Burundukovskaya Chorale partita in the works of J. S. Bach and his predecessors

M. V. Shatrashanova On the domestic disputes in the 1960s about the “swear words” in Soviet music

THE METHODOLOGY OF MODERN MUSICOLOGY

N. Meeùs, S. Kassian Harmonic vectors: an essay on the systematization of harmonic progressions

E. V. Melnikova, A. G. Korobova New forms of composer’s work with the text in the choral cycle “Homo cantans” by Olga Viktorova

MUSICAL PERFORMANCE AND PEDAGOGY

O. V. Zhestkova Domenico Dragonetti’s double bass and bow

A. A. Baranov At Vera Dulova’s lessons. Fundamentals of teaching art anniversaries

L. V. Brazhnik Тhe musical language of instrumental works by F. Akhmetov: commemorating the 85th anniversary of the composer

2020-№2(30) 

MUSIC THEORY AND HISTORY

M. E. Girfanova, Y. S. Karpov, A. K. Nurutdinova  Liedertafel by Karl Friedrich Zelter: from project to implementation

E. N. Khadeyeva N. Y. Myaskovsky’s orchestral “entertainment”

MUSICAL  CULTURE  OF PEOPLES  OF  VOLGA  REGION

G. Sh. Monasypov String quartets by A. B. Luppov: dramaturgy and features of instrumental style

G. N. Akbarova Spiritual themes in the work of Vitaly Kharisov

DISCUSSIONS  AND  INTERVIEWS

Alexander Sokolov: “...Students are the reason that does not allow us to relax ” The material was prepared

by A. A. Amrakhova, T. B. Sidneva

2020-№1(29)

HISTORY MUSIC

E. Y. Shigayeva Religious color in European operas on Russian themes

Zhu Ting, M. L. Lukachevskaya Aaron Avshalomov and path in development of Chinese symphonic art. Symphonic poem The Hutongs of Peking

THEORY MUSIC

L. A. Fedotova “Reading the future in the past”. About the Harmonielehre textbook by Arnold Schoenberg

Y. A. Danishevskaya Refraction of the laws of prosody of the French airs in ancient dances for clavier Musical theatre

A. A. Sokolskaya, O. B. Makarova Spatial metaphors in Parsifal by R. Wagner directed by S. Langridge

ISSUES  OF  ETHNOMUSICOLOGY

E. M. Smirnova, N. N. Lukianova  The song tradition of the Pribelski Mari: on the problem of intonational genesis

A. Sh. Akhmedova (Safikhanova)  Features of syncretism in labor songs of the Karabakh region of Azerbaijan 

PROCEEDINGS  OF  THE  FOURTH  CONGRESS  OF  THE  MUSIC  THEORY  SOCIETY “TERMS, CONCEPTS AND CATEGORIES IN MUSIC STUDIES” (Kazan, October 2–5, 2019)

V. I. Nilova Modern Sibelius studies abroad: terminological rebooting

 2019-№4(28)

HISTORY MUSIC

N. L. Ruban Dialogue with the piano: constants and surprises (on the anniversary of Alexander Nikolaevich Tcherepnin)

D. V. Volkov  Features of the implementation of imitation of bell ringing in the genre of a concert for gusli (on the example of the “Yaroslavl concert ” by Evgeny Derbenko)

TRADITIONAL MUSIC CULTURE: HISTORY AND MODERNITY

I. V. Solovyov On the problem of mythological concepts in Sámi intonation-acoustic tradition

PROBLEMS OF MUSICAL- PERFORMING ARTS

Yan Jianan Chinese folk instruments orchestra and Xu Chanjun’s art: рroblems of conductor’s interpretation

MEMORABLE DATES

Y. S. Karpov “You wrote me an exceptionally bright and sensitive letter ... “ On the correspondence of S. A. Kazachkov and G. M. Kogan

MATERIALS OF THE INTERNATIONAL SCIENTIFIC CONFERENCE “Music in the dialoque of cultures. Musical culture of the Finno-Ugric world: traditions, modernity, prospects ”

M. G. Kondratyev  Music in the dialogue of ethnomusicologists

A. L. Maklygin Bela Bartok as an artistic landmark in domestic Finno-Ugric composers’ quest of the 20th century

S. V. Kosyreva Vepsian singing tradition from the Aspect of cognitive Ethnomusicology

2019-№3(27)

FROM THE HISTORY OF THE WORLD MUSIC

N. I. Naumova Early Tudor Mass

E. B. Burundukovskaya Doulce Mémoire by Hernando de Cabezón

L. A. Sadykova Giovanni David as the standard of the Rossini Tenor

MUSIC THEORY AND HISTORY

M. E. Girfanova School Fugue according to J. S. Bach

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

I. M. Nurieva On the principles of the functioning of patrimonial chants in the Udmurt song tradition

M. G. Kondratyev On the way from unawareness to knowledge: science of music in the Volga-Ural republics

PROBLEMS OF MUSIC ANALYSIS

V. A. Shuranov, I. N. Mihaleva  S. Prokofiev’s vocal cycle Three romances on Pushkin’s poems: image of the poet in dialogue of times

 2019-№2(26)

FROM THE HISTORY OF  THE  WORLD MUSIC

D. R. Visaitova  Piano sonata in the works of Spanish composers of the end of the 19th century — the first half of the 20th century

FROM THE HISTORY OF CHORAL MUSIC

A. S. Ryzhinsky From Gesang der Jünglinge to Carré: the birth of a phoneme composition in the works of K. Stockhausen

E. S. Gurskaya  German “Moscow Singing Academy” — the first choir association in Moscow

MUSICAL CULTURE OF PEOPLES OF VOLGA REGIONS

T. I. Yamberdova  T. E. Evsevyev’s contribution in the formation of the Mari Ethnoorganology

A. N. Khasanova  S. Gabyashi and the tradition of reading prayers  in the music of Tatarstan composers

ISSUES OF ETHNOMUSICOLOGY

M. N. Ivanova Music style features of the variants Young Fellow’s Dream lyrical song

E. M. Smirnova Takmaks by Elabuga Kryashens: on the issue of dialect specifics of the common Tatar component in the local tradition

L. H. Ziganshina Lyrical songs of the Lambir Mishar Tatars: the features of melodic modes structure

CINEMA  MUSIC: THEORY  AND  PRACTICE

O. A. Semenyuk  Music of silent films. Author’s score as an alternative to the practice of tapers

2019-№1(25)

FROM  THE  HISTORY  OF  THE WORLD  MUSIC

A. L. Igumnova  Plot formation in operas by Luigi Dallapiccola

FROM  THE  HISTORY RUSSIAN  MUSIC

A. A. Timoshenko  P. I. Tchaikovsky’s Opera Eugene Onegin through the prism of Yury Lotman’s comments

160TH ANNIVERSARY OF RUSSIAN MUSICAL SOCIETY

E. M. Shabshayevich  Moscow directorate of the Imperial Russian Musical Society engages Pablo Casals (1910–1911)

A. E. Rudyakova  Features of staffing musical educational institutions of Imperial Russian Musical Society in Saratov with vocal teachers

E. V. Porfiryeva  A. A. Orlov-Sokolovsky and Kazan Branch of the Imperial Russian Musical Society

ISSUES OF ETHNOMUSICOLOGY

D. A. Bulatova  On the origin of the names of the Turkic bowed chordophones

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

L. V. Brazhnik  Composer M. Muzafarov and Tatar folklore (on musical arrangements of folk melodies)

L. I. Bushuyeva Marian Koval and Chuvash folklore

2018-№4(24)

QUESTIONS  OF  THEORY  AND  HISTORY OF  FOREIGN  MUSIC

А. V. Bulychova  Marc-Antoine Charpentier’s Compositions for Several Choruses and the Problem  of Parallel Quints and Octaves in Baroque Music

R. L. Pospelova  Jacob of Liège and his critique of modernists in the treatise The Mirror of Music

HISTORY OF RUSSIAN OPERA

Y. S. Semenova The historical performance by Catherine II The Early Reign of Oleg: Russian history and foreign policy on the musical  and theatrical scene

V. R. Dulat-Aleev  Russian realism, “Faustian” romanticism and morality plays in the opera Vrazhia Sila (The Power of the Fiend) by A. Serov

TRADITIONAL MUSIC CULTURE: HISTORY AND MODERNITY

G. B. Shamilli  To the problem of preserving the oral musical tradition: the dastgāh genre model

T. S. Sergeeva  The phenomenon of tarab in the musical culture of the Arab East

NATIONAL ART WORLD: METHODOLOGY AND PRACTICE

U. R. Jumakova  About understanding and perception of the national properties of music and methodological problems  of musicology in Kazakhstan

E. K. Karelina  China as an Art Concept in the Musical Art of Tuva

FROM THE HISTORY OF TATAR MUSIC

V. R. Dulat-Aleev  The historical theme in the Tatar opera

MEMORABLE DATES

Y. S. Karpov  S.V. Smolensky and Kazan: the 21st Century

THE CONFERENCES

O. V. Nemkova  «Remembering the event…»

T. M. Dzhani-zade  Turkic forum in Kazan

2018-№3(23)

FROM THE HISTORY OF THE WORLD MUSIC

I. P. Susidko The mysteries of “Orfeo ed Euridice” by Ch. W. Gluck

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

M. G. Kondratiev “The lonely wayfarer in unknown country”: Fedor Pavlov — folk music researcher

A. T. Gumerova On the history of the Orthodox singing of baptized Tatars in Menzelinsky District of Ufa province

E. M. Smirnova Formula tunes in Yelabuga Kryashen tradition

L. R. Gilyazova Wedding tunes as song tradition of Chistopol Kryashens

PROBLEMS OF MUSIC ANALYSIS

L. H. Hakobian Possible models of musical hermeneutics

ТRADITIONAL CULTURES

D. A. Bulatova The Turkic trace in the instrumental culture of the peoples of Eastern Europe (on the material of necked chordophones)

I. V. Macijewski The Turkic-Slavic aspect of interrelationships of traditional music, temporal and spatial arts (on the problems of comparative art history)

2018-№2(22)

FROM THE HISTORY OF THE WORLD MUSIC

Е. V. Ryzhkova Moralia by Jacob Handl as a reflection of humanistic trends in the music of the bohemian Renaissance

THE MUSIC THEORY

L. A. Fedotova Hermann Erpf and his idea of a new tonality

МUSICAL THEATRE

A. A. Sokolskaya, O. B. Makarova Plastic rhetoric as a way of combining three operas by Mozart / da Ponte in the trilogy

COMPOSER IN THE MODERN WORLD

V. E. Smotrov Social isolation and musical creativity

THE METHODOLOGY OF MODERN MUSICOLOGY

O. I. Kulapina The main directions of methodological teaching in music: to the establishment of a metascience concept

MUSIC AND MEDIA

T. S. Sergeeva Multimedia Experiments in Tan Dun’s Works as a New Synthesis of Arts

CONFERENCE MATERIALS

D. R. Zagidullina Some features of folk ensemble music making in orchestral technique of Tatar composers

Z. A. Akhundova-Dadashzadeh Searching for timbre in the works of contemporary Azerbaijani composers (on the question of using folk instruments)

2018-№1(21)

MUSIC THEORY AND HISTORY

Z. Z. Mityukova Gaetano Greco and the origins of partimento

N. I. Naumova Bachelor of Music and Doctor of Music in Universities of Oxford and Cambridge (17— 18th centuries)

P. I. Pimurzin, M. E. Girfanova Clavier Sonatas CollectionsWq 52 and Wq 55 by Carl Philipp Emanuel Bach: Lifetime Editions in the Kazan Conservatory Library

V. O. Petrov Harrison Birtwistle’s instrumental theater

L. V. Brazhnik Anhemitonic intonation as one of the systemic properties of the melody in the vocal works of S. Slonimsky

Yu. S. Bocharov Suite in the Baroque Era: on the history of the genre name

I. V. Viskova What instruments were used in the 19th century to perform horn parts in Brahms symphonies?

MUSICAL CULTURE IN THE RUSSIAN REGIONS

L. I. Bushuyeva А. Kasyanov: Six Songs of the Chuvash People

N. G. Agdeyeva The epic of the Nogai Tatars of the Astrakhan region: a performance aspect

2017-№4(20)

MUSIC THEORY AND HISTORY

R. L. Pospelova Revolutions and reforms in the history of notation: from the Middle Ages to our times

V. R. Dulat-Aleev The grand Russian opera in 1830 — 1860s in the context of patriotic theme and “European style”

A. L. Maklygin On the strange harpsichord interest of the “advocate of Russian originality” Stepan Vasilyevich Smolensky

TRADITIONAL MUSICAL CULTURE: HISTORY AND MODERNITY

M. G. Kondratiev The Mirror of History

E. K. Karelina Musical art of the Southern Siberia`s Turks in conditions of modern culture

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

O. M. Gerasimov Modern forms of the existence of musical folklore of the Mari

M. G. Kondratiev Traditional musical culture in the Volga region and the Urals: theory and practice

D. A. Bulatova Individualization of the performing style in traditional culture (based on the material of Tatar folk violin music)

I. M. Nurieva Besermyan wedding: unexpected discoveries

MUSIC AND SOCIETY

A. L. Maklygin Music in the scientific vectors of revolutionary change

R. L. Pospelova Semantic connotations in music and modeling of life’s meanings

Summary

2017-№3(19)

MUSIC THEORY AND HISTORY

O. V. Zhestkova Baguette in French opera conducting in the 18th and 19th centuries

Ch. Stembridge 17th century German Preludes? (The Discovery of an Unexpected Source of an Intonatio by Andrea Gabrieli)

D. E. Lokotyanova Verbal text and genre in Anton Bruckner’s church choirs

Y. S. Semyenova Some peculiarities of overtures in musical theatrical performances based on the librettos by Catherine II

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

M. G. Kondratiev Works by Gennady Vorobyov for violin and piano (on the history of the violin art of Chuvashia)

P. W. Kuivinen Accordion in the tatar traditional culture: (on the question of origin)

N. G. Agdeyeva What does saz sing about? On the genre sazda seileshu (“talking on the saz”) of the astrakhan tatars

ISSUES OF MUSIC EDUCATION

I. A. Presnyakova Caution: anti-manual! (or What the “Blues School” doesn’t teach you)

Summary

2017-№2(18)

MUSIC THEORY AND HISTORY

L. D. Pylayeva Poetic rhythms as a factor of expressiveness in the French sarabands of the 17th and early 18th centuries

G. Sanguinetti The Stabat Cadence

T. F. Prodma Johann Sebastian Bach’s organ toccata (with fugue) d-moll BWV 565: On the question of its choral origin and spiritual meaning

O. V. Dadiomova The musical world of Belarus in the 17th and the first half of the 18th centuries through the prism of intercultural relations

MUSICAL CULTURE OF RUSSIAN REGIONS

I. V. Svetlichnaya The contribution of Vladimir Dobrovolsky and Nikolai Ber to the study and preservation of Smolensk song traditions

NATIONALCULTURES IN RRETROSPECTIVE

G. M. Makarov Musical instrumental culture of Tatars in the late Middle Ages

PROBLEMS OF MUSICAL-PERFORMING ARTS

S. M. Shabaltina The impact of historical performance on contemporary pianists

POPULAR MUSICAL CULTURE

E. O. Sushko Genre features in contemporary musicals (based on Belarus TV broadcasting in 2000s)

Summary

2017-№1(17)

MUSIC THEORY AND HISTORY

O. B. Makarova, A. A. Sokolskaya Rite as foundation of dramatic art in Claus Guth’s production of Mozart’s “Don Giovanni”

M. V. Melyukova Difficulties in performing chamber vocal works by Anton Webern

MUSICAL CULTURE OF RUSSIAN’S REGIONS

O. A. Ivanova The system of folk calendar values in Astrakhan Lipovans

CINEMA MUSIC: THEORY AND PRACTICE

M. V. Karasyova Off-screen sound paradoxes: specifics of audiovisual counterpoints in Tarantino’s films

Ju. V. Mikheyeva Music as an element of film theatralization

REVIEWS

E. N. Khadeyeva The focus is on the cinema conference

Summary

2016-№4(16)

CHURCH-SINGING CULTURE: HISTORY AND MODERNITY

A. T. Gumerova On modification of verbal chants in Kryashen Orthodox Hymns

P. А. Pavlova Church composer and choir director, Archimandrite Theophan (Alexandrov): sketch of the biography

MUSIC THEORY AND HISTORY

A. N. Hasanova Rhythmic structure of vocal and instrumental works by F. Yarullin

MUSICAL CULTURE OF RUSSIAN’S REGIONS

О. А. Ivanova Wedding ceremony of the Astrakhan Lipovans

ETHNICAL MUSICAL CULTURES

A. E. Turumbetova On the Kazakh kuishi artistic contacts with musical art of the North Caspian region peoples

ANNIVERSARIES

L. P. Chernikovа Oleg Lundstrem’s Orchestra: Pages of History

Summary

2016-№3(15)

MUSIC THEORY AND HISTORY

O. Petrov Historical themes in the operas by John Adams

PROBLEMS OF MUSICAL- PERFORMING ARTS

V. А. Vorobyova Sound space of modern inventions for piano

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

А. В. Sofiyskaya Influence of Ottoman-Turkish literature on the traditional music and poetry of the Tatar Muslims

A. I. Makarova Alyona Arzamasskaya by N. Kosheleva — the first Mordovian ballet

T. V. Polkovnikova Chuvash music in the new stage of development (1970 — 1990ies)

Summary

2016-№2(14)

MUSIC THEORY AND HISTORY

M.E. Girfanova “Roman de Fauvel”, Paris, Bibliothèque nationale, français, 146. Part one. The authors and composition of the manuscript

PROBLEMS OF MUSICAL- PERFORMING ARTS

Qu Wa Traditional musical instruments in contemporary Chinese composers’ piano interpretation

POPULAR MUSICAL CULTURE

V.N. Syrov Modern jazz as a style phenomenon

ISSUES IN MUSIC EDUCATION

L. Braun Music education in Germany: current trends and cultural traditions

REVIEWS

O.V. Marchenko The being discovered by music

Summary

2016-№1(13)

MUSIC THEORY AND HISTORY

I. D. Gorokhova On the front page content in original publications of Clavierübung by J. S. Bach

E. N. Khadeyeva On one constructive principle by I. Stravinsky

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

G. M. Makarov Music of the Old-Tatar written poetry as part of elite Middle Age culture of the Volga-Kama region Church-singing culture: history and modernity

S. S. Gerasimovich Church choral singing in Belarus in the late 19th — early 20th century (based on printed sources)

Y. S. Karpov Churh-singing practice in the system of spiritual education

REVIEWS

T. A. Almazova Not just about music. Review of the book Portraits of prominent Tatarstan artists (in the light of spirit and science) by Sh. Kh. Monasypov

Summary

2015-№4(12)

MUSIC THEORY AND HISTORY

T. V. Tsaregradskaya Okegem and music of the 20th century

V. O. Petrov Luciano berio’s instrumental theatre (dedicated to the composer’s 90th anniversary)

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Burundukovskaya Fitzwilliam Virginal Book as a compendium of keyboard music in Elizabethan Englan

S. A. Kostogryz Genre and stylistic priorities of balalaika performance in Ukraine in the last third of the 20th century

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

E. Y. Novosyolova Schiller’s image of Joan of Arc on the 19th century opera stage

REVIEWS

T. I. Naumenko Ethnic dimension of music science: on conference “music as ethnic dimension of arts”

Summary

2015-№3(11)

MUSIC THEORY AND HISTORY

Z. Z. Mityukova, A. L. Maklygin Partimento: an improvisational educational practice of the 18th century

I. I. Giniatullina Theme and Variations (On the question of national identity features in N. А. Rimsky-Korsakov’s style)

M. L. Kosmovskaya Instrumental music playing as specific etnographic area of existence: from N. F. Findeizen to our times

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

I. Braun Pezzo concertato in Tchaikovsky’s operas

E. Y. Novosyolova Voice of Joan of Arc: on the problem of musical imagology

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova Modern jazzman’s must-have: “The Jazz Theory Book” by M. Levine

Summary

2015-№2(10)

DEDICATED TO THE 70th ANNIVERSARY OF THE KAZAN STATE CONSERVATORY NAMED AFTER N. ZHIGANOV

A. L. Maklygin Zhiganov as research subject

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

L. I. Sarvarova Calendar ritual chants of the Mishar Tatars: on specificity of intonational tradition D. A. Bulatova Tatar violin tradition in the context of bow-instruments culture of the Middle Volga

MUSIC THEORY AND HISTORY

Cui Xian (translation and commentary of Peng Chen) Introduction to Chinese traditional music theory

PROBLEMS OF MUSICAL- PERFORMING ARTS

M. A. Begovatova Artistic meaning and acoustic properties of extended techniques in playing the saxophone

ISSUES IN MUSIC EDUCATION

I. A. Lystsova On ballet accompaniment at the Perm choreographic school

REVIEWS and INTERVIEWS

R. D. Gimadiyeva Kazan Piano School: Personalities and Names

D. Jonas German view on music education

Summary

2015-№1(9)

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

I. M. Nurieva Udmurt song tradition in inter-civilizational space

MUSIC THEORY AND HISTORY

M. Е. Girfanova, N. I. Naumova John Taverner and his service in Cardinal College at Oxford University

E. Y. Shigayeva Meyerbeer’s opera “Northern Star” (“L’etoile du Nord”): Peter the Great or just Peter?

G. G. Kolomiets Philosophic essence of Sofia Gubaidulina’s works in the context of intercultural dialogue

POPULAR MUSICAL CULTURE

A. M. Nagornova Latino and bossa nova. Some terminological aspects of the popular music

Y. S. Dyachenko Richard Galliano’s “New musette” and bayan (accordion) art of the late 20th and early 21st century

REVIEWS

L. K. Karelina Bright event in the world of Turkology

L. V. Brazhnik “With harmony in life”

2014-№4(8)

MUSIC THEORY AND HISTORY

А. К. Safuanova, M. E. Girfanova Carl Friedrich Fasch — the founder of the Berlin Singing Academy (Sing-Akademie zu Berlin)

V. O. Petrov Chamber instrumental performance: the problem of dramaturgic layers relation

MUSICAL CULTURE IN THE RUSSIAN REGIONS AND ABROAD

E. K. Karelina Tuvinian’s Music tradition in space of the modern culture

E. G. Skovikova Sacred music outside of the church living in the City of Simbirsk at the turn of the 20th century

O. Р. Yurchenko Cimbalom in Ukraine: history and modernity

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova On some problems of teaching jazz harmony

REVIEWS

E. M. Tsaryova Necessary Publication: Review on the book by L. Royzman Literary Legacy

Т. А. Starostina Conference in memory of S. V. Smolensky. Choral Art at the Present Time

2014-№3(7)

MUSIC THEORY AND HISTORY

M. E. Girfanova Johannes de Muris on time signature in mensural music ars nova

T. F. Prodma Immersion in the Meaning. J. S. Bach’s Organ Toccata (and Fugue) in C-dur BWV 564

O. V. Usova Leitmotif as structural semantic category of the musical text (on example of symphonic music)

MUSICAL CULTURE OF RUSSIA’S REGIONS

E. U. Omakayeva, B. K. Borlykovа On the history of collection and publication of Kalmyks’ song and dance folklore (based on archival materials of folklore expeditions by H. J. Ramstedt, D. Rudnev and A. V. Burdukov)

N. A. Barkova, E. K. Karelina Imaginative world of the piano cycle by O. Kurgek Olchei’s First New Year: an attempt of reviewing children’s music in the works of Tuvan composers

E. G. Skovikova Liturgical singing in churches of the City of Simbirsk (late 19th — early 20th century)

E. V. Anisimova Y. Tolkach. Symphony in memory of J. Sibelius: in search of general symbol of unity of the Finno-Ugric peoples

ANNIVERSARIES

D. R. Zagidullina Features of orchestral notation in Farid Yarullin’s works (on example of the 1st movement of Symphony a-moll)

A. A. Kasianova Sonorism in Shamil Sharifullin’s works

REVIEWS

L. I. Sarvarova, L. A. Fedotova Finno-Ugric music forum

Y. S. Karpov Conference in memory of S. V. Smolensky

V. I. Yakovlev All Russian conferences in the City of Kazan on current issues of musical performing art: formulating approaches for their solution

2014-№2(6)

MUSIC THEORY AND HISTORY

L. V. Brazhnik Absence of melodic semitones in N. Ya. Myaskovssky symphonies as factor of continuity in the Russian classical tradition

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Mikhaylov Purports and forms of A. Scriabin’s Eight Sonata

S. L. Fedoseyeva The art principles of M. V. Yudina

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. I. Gaziev From the bait performance history

A. N. Khasanova About the individualization of folklore rhythmic forms in the music of Tatar composers of the first half of the ХХth century

Y. Y. Tsykina Resolution of the Central Committee of the CPSU(b) of 1948 “On the opera ‘The Great Friendship’ by V. Muradeli” and the Mari musical culture

E. S. Alimova Crimean-Tatar and Russian-Ukrainian roots of M. Khalitova’s vocal lyricism

REVIEWS

E. V. Porfiryveva The musicological offering to the anniversary of the outstanding Master

2014-№1(5)

MUSIC THEORY AND HISTORY

A. V. Kudryavtsev The syllabic in musical and poetic traditions of the Russian city in the 18th century

Е. М. Smirnova On the criteria of musical foot separation in quantitative folk tunes

MUSICAL CULTURE OF RUSSIA’S REGIONS

T. V. Babochkina Choral compositions by M. A. Yudin on Russian folk texts

G. M. Makarov Gata Iskhaki and Ismagil Ilyalov as coryphaei of mandolin art in Tatar culture

V. I. Yakovlev Kazan Ethnographic School: Scope and Results of Interdisciplinary Studies

2013-№2(4)

MUSIC THEORY AND HISTORY

O. V. Zhestkova A skillful man Egene Scrib

P. A. Pavlova Old Believers’ and “Nikonian” plainchants today: Unity or Opposition?

MUSICAL CULTURE OF RUSSIA’S REGIONS

P. W. Kuivinen The role of left hand garmun accompaniment in Tatar folk garmun tradition: consonant accompaniment — a remnant of traditional monophony

L. I. Bushueva Alexander Vasil’ev’s cantata «Uyav» as a phenomenon of Chuvash choral culture

2013-№1(3)

MUSIC THEORY AND HISTORY

M. N. Tchebourkina The systhem of organ dispositions of François dom Bedos de Celles (1766–1770–1778)

P. Laki The Symphony of Death or the Death of the Symphony? Observations on Mahler’s Symphony No. 9

PROBLEMS OF MUSICAL-PERFORMING ARTS

D. S. Rabotkina Tchaikovsky’s Grand Sonata Op. 37

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. G. Kondratiev The manuscript is of great interest”: Timofei Paramonov's Musical Legacy

A. N. Khasanova Rhythmic Intonations of «recitative verse» tunes in S. Saidashev’s vocal and instrumental works

REVIEWS and INTERVIEWS

V. V. Asarova Rosanoff on interpretation of Early music (To the 80th Anniversary of professor I. V. Rosanoff)

J. V. Selyfonova Frazier J. Maurice Duruflé: the man and his musiс. Rochester, 2007

M. V. Vladimirova, L. A. Fedotova Griffits P. A Concise Hustory of Avant-garde Music: from Debussy to Bulez. New York and Toronto, Oxford University Press, 1978

G. Trier Beethoven’s Visual Articulation (From Visual Articulation ofReading to Truthful Reading of the Original Flow of Music)

H. Dinova «Unknown» Tchaikovsky? (An interview with Yuri Leonovich)

E. G. Treskin Maestro (To the 100th Anniversary of N. K. Dautov)

2012-№2(2)

MUSIC THEORY AND HISTORY

L. A. Fedotova Musical analysis as a genre of musicology – is it relevant today?

R.L. Pospelova, M.V. Bogdanova "Harmonic documents" on variable systems. To the study Y.N. Kholopov’s archive (To the 80th Anniversary Y.N. Kholopov)

O.V. Zhestkova Fra Diavolo and villains in the 19th century operas

PROBLEMS OF MUSICAL-PERFORMING ARTS

V. G. Lukyanov Tonal semantics of Mussorgsky (Practical view of a choirmaster)

MUSICAL CULTURE OF RUSSIA’S REGIONS

E .K. Karelina Composer’s performance: to the question of typology and problems of study

R. D. Gimadieva A. Leman - piano class teacher at the Kazan Music College

2012-№1(1)

MUSIC THEORY AND HISTORY

GIRFANOVA M.E. Some notes on the historical formation of accentual musical rhythm: parallels between W.C. Printz’s theory of quantitas temporalis intrinseca and the musical practice of the 17th century

ZHESTKOVA O.V., BARANOV A.G. J. Haydn’s masses and the ‘Cecilian Movement’ in the 19th century

BRAZHNIK L.V. Anhemitonic melody in Rimsky-Korsakov’s operas

RAKHMANOVA M.P. S.V. Smolensky: the study of materials Athos expedition

MUSICAL CULTURE OF RUSSIA’S REGIONS

SAIFULLINA G.R. “Beware listening to saz!..” Gabashi—theologian on permissibility of music in Islam

SMIRNOVA E.M. Arud meters in Tatar chants көйләп уку: to the question of study

JAKOVLEV V.I. The bells of the Volga-Urals in multicultural context

CONTEMPORARY COMPOSERS

SURMINOVA O. V. Onomaphony in the genre of “A brief history of music”

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